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  --Julie Allen’s sculptures have been on view in the traveling exhibition I Want Candy: The Sweet Stuff in American Art, which originated at the Hudson River Museum in 2007. It recently traveled to the Historic City Hall Arts and Cultural Center in Lake Charles, Louisiana, June 24 – August 22, 2010 and was on view at the Leigh Yawkey Woodson Art Museum in Wausau, WI, November 23, 2010 through February 6, 2011. Julie Allen had work included in the group exhibition, Sweet & Savory, June 1 – 24, 2011 at Pavel Zoubok Gallery in New York.
 
  -Reed Danziger’s paintings were featured in the group exhibition, Expansion, at Robischon Gallery in Denver, CO, September 11 – October 30, 2010. Her work was included in the exhibition Elements of Nature: Selections from the Frederick R. Weisman Art Foundation, which originated at the Carnegie Art Museum in Oxnard, CA from March 14 – May 23, 2010. That exhibition traveled to the Lancaster Museum/Art Gallery in Lancaster, CA, June 5 – August 29, 2010 and the Contemporary Arts Center in New Orleans, LA, November 6, 2010 – February 27, 2011. Danziger had a solo exhibition at the Hosfelt Gallery in San Francisco, CA, April 2 – May 14, 2011. It was reviewed in “Quantum Jitters,” by Brent Foster Jones in Art Practical, May 8, 2011. Danziger’s work will be on view in Absence/Presence: Contemporary Abstraction, November 3 – December 11, 2011 at the Sonoma State University Art Gallery in Rohnert Park, CA.
 
  -Jim Dingilian was included in the group exhibition, Smoke + Mirrors/Shadows + Fog at the Hunter College Times Square Gallery, February 18 – April 17, 2010. His work was seen in Redefining Drawing at the Jennifer Kostuik Gallery in Vancouver, BC, July 15 – August 15, 2010. That exhibition was reviewed July 29, 2010 by Robin Laurence in The Georgia Straight. Dingilian’s work was included in the exhibition Fire Works at the Hunterdon Art Museum in Clinton, NJ, October 3, 2010 - February 13, 2011 as well as the group exhibition A Meaningful Pursuit, at the University of Delaware’s gallery in Philadelphia, UD@Crane, February 10 – March 17, 2011.Dingilian had work on view in the group exhibition Hiding Places, at the John Michael Kohler Arts Center in Sheboygan, WI. The exhibition opened in June, 2011 and ran through the end of December, 2011. His solo exhibition, Jim Dingilian: Subtractive Images, opened January 29, 2012 at the Aldrich Museum of Contemporary Art in Ridgefield, CT, and runs through May 28, 2012. Additionally, Dingilian will have nine works on view in the group exhibition Swept Away at the Museum of Arts and Design in New York, opening February 7, 2012 and running through August 12, 2012. Dingilian's participation in the exhibition was noted in the preview article by Allison Williams which appeared February 2, 2012 in TimeOut New York.
 
  -Lori Ellison’s January/February 2012 exhibition at the gallery was reviewed by James Panero in “Gallery Chronicle,” The New Criterion, February, 2012. Her participation in the group exhibition MIC:CHECK (occupy) at Sideshow Gallery in Brooklyn, New York, January 7 through February 26, 2012, was also noted there. Her solo exhibition was also reviewed by David Brody in "Mesmerizing Claustrophobia: Drawings and Paintings by Lori Ellison," ArtCritical.com, February 27, 2012. Corina Larkin reviewed the exhibition in "Lori Ellison" published in the February, 2012 issue of The Brooklyn Rail.
 
  -Chris Gallagher’s work was recently seen in Baby, It’s Cold Outside, at Kenise Barnes Fine Art in Larchmont, NY, January 8 – February 25, 2011. His paintings were included in the group exhibition Painting Coast to Coast at the Elaine L. Jacob Gallery at Wayne State University, Detroit, MI, January 21 – March 11, 2011. Gallagher will have work included in Segment #1, opening September 17, 2011 at Borusan|Contemporary in Istanbul, Turkey. Gallagher’s work was featured in the Brazilian art and design journal Zupi.com, in “Paintings Parallel,” by Rafael Saraiva, November 4, 2011.
 
  -A major new monograph on Stephen Hannock was published by Hudson Hills Press in 2010. His 2009 solo exhibition at Berggruen Gallery in San Francisco was reviewed by Lea Feinstein in the February, 2010 issue of Artnews. The artist’s work was included Speak for the Trees, published by Marquand Books in Seattle in 2010. Hannock’s work was seen in two exhibitions in conjunction with that publication: at Friesen Gallery in Sun Valley, ID, through February 27, 2010, and at Friesen Gallery in Seattle, WA, April 1 – May 29, 2010. Jason Rosenfeld profiled the artist in the June, 2010 issue of Fine Art Connoisseur in “Stephen Hannock: Taking Landscape to the Next Level.” Hannock was included in the survey exhibition Paintbox Leaves: Autumnal Inspiration from Cole to Wyeth at the Hudson River Museum in Yonkers, NY, September 25, 2010 through January 17, 2011.
 
  -James Lecce was featured in a review of the gallery’s group exhibition, Mostly Monochrome in Chris Rywalt’s blog NYC Art, January 12, 2010. His recent exhibition at the gallery was reviewed by Preston David on the blog Keep it Chic, May 26, 2010.
 
  -Jean Lowe’s papier-mâché books were included in The Sacred and Profane at The Portsmouth Museum of Fine Art in New Hampshire, January 21 – April 24, 2010. Her work was discussed and illustrated in Michael Shaw’s article in ArtSlant Los Angeles, “Subliminal proselytizing…Or the bleeding heart’s dilemma,” March 29, 2010. Jean Lowe and Kim MacConnel created a “pop-up” store of unique objects, the “J & K Souvenir Inc.” at the Lux Art Institute in Encinitas, CA, which opened in April, 2010. Lowe’s paintings and sculptures were included in the exhibition, A Sense of Humor: Finding the Funny in Contemporary Art, at the John Michael Kohler Arts Center in Sheboygan, WI, June 20 – September 26, 2010. Jean Lowe’s participation in the gallery’s summer group exhibition Reader’s Delight was noted in Roberta Smith’s review in the New York Times, July 23, 2010. Lowe’s work was on view in the group exhibition, Ex Libris, at Adam Baumgold Fine Art in New York, January 26 – February 26, 2011. Her work was included in New Image Sculpture at the McNay Art Museum in San Antonio, TX, February 16 – May 8, 2011. That exhibition was reviewed on March 18, 2011 by Dan Goddard in Art Ltd. Magazine. Jean Lowe’s solo exhibition at Rosamund Felsen Gallery in Santa Monica, CA, “Look 20 Years Younger,” opened May 28 and ran through July 2, 2011. Her work was included in the group exhibition, Sweet & Savory, June 1 – 24, 2011, at Pavel Zoubok Gallery in New York. Lowe was featured in “Humor That Skewers Consumerism,“ by Mark Hiss in the January, 2012 issue of San Diego Home/Garden Lifestyles.
 
  -David Mann’s paintings were included in The Sacred and Profane at The Portsmouth Museum of Fine Art in New Hampshire, January 21 – April 24, 2010. His paintings were included in the group exhibition, Expansion, at Robischon Gallery in Denver, Co, September 11 – October 30, 2010. Mann had work on view in the exhibition, I am the Cosmos, running from December 4, 2010 through May 29, 2011, at the New Jersey State Museum in Trenton. Mann has work on view in the exhibition Black and White at Nina Freudenheim Gallery in Buffalo, New York, September 10 - October 12, 2011 and in a three-person show at Etra Fine Art in Miami, FL, October 8 – November 11, 2011.
 
  -Maureen McQuillan has work included in the traveling exhibition Textó & figura, which opened February 2, 2010 at the Contemporary Artseum in Zapote, Costa Rica. McQuillan was featured in “Central Time,” on Joanne Mattera’s Art Blog, May 14, 2010. Her photograms were featured in Barbara Schwartz’ “You…an Art Collector?” in Bottom Line Personal, July 15, 2010. McQuillan’s work was included in Art on Paper 2010: The 41st Exhibition, at the Weatherspoon Art Museum, Greensboro, NC, November 7, 2010 through February 6, 2011. McQuillan’s contribution to that exhibition was illustrated in Sharon Butler’s review, “Drawing Links,” in the blog Two Coats of Paint, November 11, 2010. McQuillan’s work was included in the group exhibition Wavelength, January 28 – February 20, 2011 at STOREFRONT in Brooklyn, New York. She had an installation on view at the Contemporary Museum in Baltimore, MD, from May 13 - June 5, 2011 entitled New View Six: Maureen McQuillan, Sensory Forensics.
 
  -James Nelson had work on view in the group exhibition Drawing Itself: A Survey of Contemporary Practice at the Brattleboro Museum and Art Center in Vermont, November 16, 2009 through February 26, 2010. That exhibition was reviewed by Edgar Allen Beem in Yankee Magazine.com on November 25, 2009. Nelson’s February, 2011 exhibition at the gallery was featured in “Galleries Offer Reason to Come in from the Cold,” by Stephanie Buhmann in The Villager, February 3, 2011.
 
  -Aric Obrosey’s work was included in the group exhibition Drawing Itself: A Survey of Contemporary Practice at the Brattleboro Museum and Art Center in Vermont, November 16, 2009 through February 26, 2010. That exhibition was reviewed by Edgar Allen Beem in Yankee Magazine.com on November 25, 2009 with an illustration of Obrosey’s drawing. Obrosey’s work was recently on view in Slash: Paper Under the Knife, at the Museum of Arts and Design in New York, October 7, 2009 – April 4, 2010. His participation was noted in Jane Harris’ review of the exhibition in the January 14, 2010 issue of TimeOut New York. Obrosey’s work was on view in Cut Ups November 27, 2010 through January 25, 2011, at the Islip Art Museum in East Islip, NY and was included in the group exhibition Material Evidence, February 24 – April 9, 2011 at the Michael and Noémi Neidorff Art Gallery, Trinity University, San Antonio, TX. Obrosey had work included in the group exhibitions Idée Fixe: Drawings of an Obsessive Nature at Winkleman Gallery in New York, May 6 – June 11, 2011, and White Hot at Thatcher Projects in New York, July 7 – September 17, 2011. His work is featured in the group exhibition Textility, January 13 – April 1, 2012 at the Visual Arts Center in Summit, New Jersey. That exhibition was featured on Joanne Mattera’s Art Blog, January 11 and January 19, 2012.
 
  - Ursula Morley Price had new ceramic sculpture on view in a two-person exhibition at Galerie de l’Ancienne Poste in Toucy, France, April 16 through May 26, 2011. She will have a solo exhibition at Galerie Hélène Porée in Paris opening in March, 2012.
 
  -Don Voisine had work included in the exhibition, American Abstract Artists International, 75th Anniversary 1936-2011, at Oqbo, Raum für Bild Wort und Ton and the Deutscher Künstlerbund in Berlin, May 14 – June 10, 2011 as well as American Abstract Artists, 75th Anniversary, at the OK Harris Gallery in New York, May 21 – July 15, 2011. The New York exhibition was reviewed by Barbara MacAdam in the October, 2011 issue of Artnews. Voisine’s May, 2011 exhibition at the gallery was reviewed by Sky Pape in her blog, Drawn Together, May 20, 2011 and by James Panero in the June, 2011 issue of The New Criterion. It was also reviewed by Carol Diehl in the October, 2011 issue of Art in America. Voisine’s work was included in the group exhibitions Presents: Three Months of Mail Art for Hyperallergic HQ in Brooklyn, June 16 – 29, 2011, and The Ghost in the Machine, June 23 – August 19, 2011 at Lennon, Weinberg in New York. That exhibition was reviewed by John Haber in "Going Nowhere Fast," in his blog, Haberarts, July, 2011. Voisine’s participation in the 2011 Portland Museum of Art Biennial was noted in Carl Little’s review of the exhibition in the September, 2011 issue of Artnews. Voisine was included in the exhibition, Contemporary Selections: Aligning Abstraction, at the National Academy Museum in New York, September 16 - December 31, 2011. His solo exhibition at Icon Contemporary in Brunswick, Maine ran from September 17 – October 15, 2011 and was reviewed in the September/October 2011 issue of Art New England by Ken Greenleaf. The exhibition was also reviewed by the same writer in The Portland Phoenix, September 21, 2011. His work was included in Abstraction, November 1 - 30, 2011, at The Icebox at Crane Arts in Philadelphia, PA. That exhibition was reviewed in The Philadelphia Inquirer by Victoria Donohoe in “75th Anniversary Exhibit Celebrates American Abstract Artists,” November 18, 2011. Voisine’s work was also on view in A Romance of Many Dimensions, November 10 - December 1, 2011 at Brooklyn Artists Gym, NY. The exhibition was reviewed by Eric Sutphin in “An Exercise in Seeing at Brooklyn Artists Gym,” in the blog Beard & Brush, November 21, 2011. The Corcoran Gallery of Art in Washington, DC has acquired Voisine’s painting Thru and Thru. He will be included in the group exhibition 8 American Abstract Artists, Selections from the Exhibition “Abstraction,” Honoring the 75th Anniversary of the AAA, at Larry Becker Contemporary Art in Philadelphia, mid-December 2011 to the end of January, 2012. Voisine has work included in the group exhibition MIC:CHECK (occupy) at Sideshow Gallery in Brooklyn, New York, January 7 through February 26, 2012. That exhibition was reviewed in “Gallery Chronicle” by James Panero in The New Criterion, February, 2012. Additionally, his paintings will be shown at THEODORE: Art in Brooklyn, January 14 – February 26, 2012 in the exhibition Dana Bell/Alisdair Duncan/Don Voisine. Voisine will have work on view at dr. julius | ap gallery in Berlin in the group exhibition FutureShock OneTwo, January 26 – March 17, 2012.
 
  -Laura Watt’s 2009 exhibition at the gallery was reviewed by Lara Taubman in the March-May, 2010 issue of the magazine ArtPulse. Watt’s work was on view in the group exhibition, Scrawl: Drawing Writ Large, February 9 – March 26, 2011 at ArtSPACE in New Haven, CT.
 
  -Laura Sharp Wilson’s work was included in the exhibition, Botanica, at the Hunterdon Art Museum, May 23 – September 12, 2010. Her work was also included in the group exhibition, Paper Trail, at Happy in Los Angeles through September, 2010. That show was reviewed by Alie Ward in “The Agenda: Paper Trail Exhibit at Happy,” in Brand X Daily, September 3, 2010. Wilson participated in the group exhibition, Drawn, at Nox Contemporary, Salt Lake City, UT, February 18 – April 1, 2011. She had a solo exhibition of her sculptures in an exhibition titled Frustrated Ikebana, March 14 – April 20, 2011 at the Corinne and Jack Sweet Branch of the Salt Lake City Public Library. Her April, 2011 exhibition at the gallery was noted in “Essential and Recommended: Gallery Exhibits,” by Stephanie Buhmann in Chelsea Now, April 7, 2011 and was reviewed on the blog, Mary Anne Davis, May 2, 2011. Wilson’s work was on view in Cries and Whispers at the Sam Lee Gallery in Los Angeles, CA, April 24 – June 4, 2011. That exhibition was reviewed by Nicole Pajer and Dustin Downing in “Between Cries and Whispers: Abstract Explorations at Sam Lee Gallery,” Chinashop, May 3, 2011. Wilson is included in the 2011 New American Paintings #96 (western edition.)
Valerie McKenzie. McKenzie Fine Art. Valerie McKenzie.
 
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