55 Orchard Street, New York, New York 10002 212 989 5467 fax 212 989 5642
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  Paul Corio
Ghostzapper
February 7 - March 13, 2016
 

Paul Corio’s paintings are about the interplay of color blocks sequentially arranged to create illusions of light, atmosphere, space, and dimensional structure. He oscillates between the system-driven and the improvisational in his choice of hues, often combining both approaches in a single work. For Corio, the colors themselves are the true content of his paintings, and the geometric compositions of triangles, rectangles and parallelograms employed are more of a non-hierarchical ensemble of shapes. Ultimately, the spatial reading of his paintings is dependent on the placement of colors and the exploration of tonal values within each work.  
 
Color value, the relative lightness or darkness of a color, is often progressively varied by Corio as an organizing principle. Within each painting’s set of shapes, the color selection may shift between bright, dull or any hue of the spectrum, so long as it falls within a specific value range. The resulting space can be read as a strongly three-dimensional relief or as the effect of swelling light, both illusions especially pronounced in Corio’s depiction of repeated diamond forms. Many of Corio’s paintings have a rhythmic, pulsating Op-like intensity as the eye travels across the surface of the work.  In other works, variations in contrast cause ribbon-like bands of color to recede or project as they meander across a white ground. In another approach to painting, Corio systematically embraces chance to establish his color placement. The numbers of the winning horses from a particular day at one of New York’s three racetracks dictate the rotation of multiple color wheels set in a grid. Dimensional diamond and boomerang shapes randomly emerge where like-colored sections of the “pinwheels” touch.  
 
Corio’s multifarious pursuits inform both the conception and construction of his paintings. His long-time interest in thoroughbred racing yields his randomized color wheel system and also provides the majority of the titles for his paintings. Other titles come from spy and detective fiction, samurai cinema, or jazz music. Corio recorded and toured as a drummer with a number of punk bands in the 1980s and 1990s; these days he plays jazz.  
 
 
 
Sugar Beach, 2015
Acrylic on canvas
92 3/4 x 66 1/2 inches

Giant Finish, 2015
Acrylic on canvas
48 x 96 inches

Fuchsia Swing Song, 2015
Acrylic on canvas
60 x 48 inches
 
Polka Dots and Moonbeams, 2015
Acrylic on canvas
48 x 36 inches

Moscow Rules, 2015
Acrylic on canvas
72 x 42 inches

Tough All Day, 2015
Acrylic on canvas
46 x 35 inches
 
Full of Intent, 2016
Acrylic on canvas
40 x 30 inches

Flo's Honor, 2015
Acrylic on canvas
40 x 30 inches

Zatoichi In Desperation, 2015
Acrylic on canvas
20 x 16 inches
 
Zatoichi on the Road, 2015
Acrylic on canvas
20 x 16 inches

Zatoichi the Outlaw, 2015
Acrylic on canvas
20 x 16 inches

Zatoichi the Fugitive, 2015
Acrylic on canvas
20 x 16 inches
 
Installation view

Installation view

Installation view
 
Installation view

Installation view

Installation view
 
Installation view

Installation view

Installation view
 
Installation view

Installation view
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55 Orchard Street, New York, New York 10002 212 989 5467 fax 212 989 5642
email info@mckenziefineart.com